|
Spirituality rather
than sexuality fuels k.d. lang nowadays, she tells Katrina Fox.
When I told my girlfriend I was going to do a telephone
interview with k.d. lang, she shrieked with excitement and then giggled, “I’ll
give you my knickers to hold while you chat to her”.
This is the effect the lesbian singer-songwriter has had on
women for the past 25 years. Whether it’s being shaved by supermodel Cindy
Crawford on the cover of Vanity Fair,
belting out her most popular hit ‘Constant Craving’ at the Outgames opening
ceremony, or crooning with the legendary Tony Bennett, lang has a knack of
bringing chicks – straight and queer – to their knees (sometimes literally!).
Born in Alberta, Canada
the 47-year-old started out in the country world before rising to fame in the
late ’80s, winning a Grammy Award for Best Female Country Vocal Performance for
her 1989 album, Absolute Torch and Twang. In 1992 she released Ingenue, containing ‘Constant Craving’,
which garnered her multi-million dollar sales and another Grammy, this time for
Best Female Pop Vocal Performance. Things went a bit quiet for her until 2003
when she won yet another Grammy for Best Traditional Pop Vocal Album for her
collaboration with Bennett on A Wonderful World. Her last major album, Hymns of the 49th Parallel, featuring
covers of well-known Canadian singers, came out a year later.
I refrain from
telling her my girlfriend’s panties are taking pride of place on the table next
to the phone, but do let her know that she loved lang’s latest offering, Watershed
– an album of original songs whose subject matter includes creativity and
jealousy, on which lang is writer, singer and producer.
She’s obviously
chuffed at this, and pleased with her new project.
“I guess
it’s a piece of me,” she says. “I wouldn’t say it reflects my whole
personality, but it’s the music I wrote, and I produced it, so it’s the way I
hear and play music. It’s a peaceful record.”
Peace is something lang enjoys and has gained through
Buddhism, spending her spare time building a monastery, as well as gardening
and painting.
“I’ve always felt the association to Buddhist philosophy,”
she says. “Seven years ago I met my Buddhist Tibetan lama who’s become my
teacher, so it’s shifted from liking Buddhism to being a Buddhist practitioner,
which is a big difference.”
When lang came out in 1992 she expected a hostile reaction
from the country music community, but having pissed them off already by doing an
anti-meat ad for PETA two years earlier, her coming out barely moved them.
“By the time I came out as a lesbian people were tired of
the controversy of k.d. lang, so it was good fortune, the chronological order,”
she laughs.
As far as activism and campaigning goes, lang believes she
does this by “living my life”, and although she uses descriptors such as ‘butch’,
‘femme’ and ‘lesbian’, she’s not a big fan of labels.
“I use them from time to time myself, but as with music, I
feel that labels can be very destructive if used the wrong way,” she says. “In
the long run they’re confining and stereotyping so I think probably they’re not
a healthy thing to have. When you start defining people by gay, straight,
freaky or conservative you start polarising people, and I think that’s
something not to get into the habit of, but we should look for commonality.”
Now, let’s get back to knickers. In what was arguably lang’s
heyday in the early to mid 1990s, there was no shortage of lingerie finding its
way on stage during her shows. But anyone planning to chuck their undies at the
singer during her Australian tour in April/May will likely receive a
less-than-enthusiastic response.
“That one’s kind of a thing of the past,” she says. “You
know it’s kind of funny, but the 80s and 90s era of sexual overdrive is kind of
boring for me now. I tend to lean more towards the spiritual aspect to make
people happy.”
Dammit – how to tell that to the girlfriend?
Our chat is coming to an end but before we sign off I
quickly poke my nose into her private life. lang lives with her partner of six
years – also a Buddhist – and two dogs in a wood and stone cabin off Mulholland Drive in
Los Angeles
where Rock Hudson and Tab Hunter used to engage in secret homosexual trysts –
and no, she didn’t know that before she bought the place. She doesn’t hang out
in the ‘power lesbian’ cliques of Hollywood
and has never seen a single episode of The
L Word (starring her former flame Leisha Hailey, the inspiration behind
lang’s 2000 album Invincible Summer).
Why?
“I don’t have that channel,” she says.
Watershed is out now through Warner Music.
k.d. lang: The
Watershed Tour, April 24 at The Arts Centre, Hamer Hall, Melbourne. Bookings: www.ticketmaster.com.au
|